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"Well, neither should I!" says Mrs. Geoffrey, with conviction. "I should perfectly have hated it. But I should never have forgiven myself if he had gone away with the will." "A secret panel! Oh, how enchanting! do, do show it to me!" cries Doatie Darling, when this marvellous recital has come to an end. "If there is one thing I adore, it is a secret chamber, or a closet in a house, or a ghost." "I shall not forget; I shall always remember," returns she, the tears running down her cheeks; and then, through divine pity, and perhaps because Geoffrey is here to see her, she stoops and lays her lips upon his forehead..

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All this she breathes forth in disjointed sentences as she rushes, like a light-footed deer, across the ploughed land into the wet grass beyond. "You are hurt!" interrupts he, with passionate remorse. "I see it all now. Stepping into that hateful stream to save me, you injured yourself severely. You are in pain,—you suffer; whilst I——" At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. "I felt nothing, nothing, but the one thing that I was powerless to help you," says Mona, passionately; "that was bitter.".